At the Viridian Gallery in Chelsea, I met the artist Arthur Dworin.
His work drew me into the small gallery space, and after reading his biography, I felt that I'd stumbled across an exceptional person. Arthur is a painter of large huge!) scale abstract art that focuses on color use. He wants to inspire feelings in the soul of the viewer, and he hopes to inspire feeling in himself as he does the work. Dworin is a kind man, and he came by with a handshake and a helpful chat the second I entered the room. He's painted sets for Broadway shows (and belongs to a union of theater designers), shown his paintings internationally, drew illustrations for the New York Times, worked at the MOMA, and painted movie sets. His specialization is faux finish wood, and the frames on his paintings on display in the Viridian gallery were faux wood. I didn't know it until he pointed it out and insisted I take a look. Even up close they seemed like real wood.
He ended up doing all of the things he has, including knowing how to paint fax wood finishes, by practicing. Working on theater sets often required making things look real when they weren't, and he perfected his skill by working on them from a young age. Dworin stressed the idea of each work of art being the result of a lifetime of work; all experiences add up into the next. He used the people he knew to join galleries, and has been designing sets for 20 years. Painting is his passion but sets put food on the table. He was willing to do any job, even doing illustrations in the New York Times as a favor to his friend, the Creative Director.
His tips on how to become his type of professional (a successful artist) are pretty straightforward. DO your work was the first one, as he doesn't think many people realize just how important it is to simply finish work carefully and completely. He then said that it is necessary to build a body of this work, so that it can be displayed, photograph the work, and then make sure that as many people see it as possible. He praised the use of social networking sites like Facebook and free website makers like Wix.com, saying that it made it that much easier to get noticed. He used his Facebook to advertise his website, then got hits on the website that way. It was smart, intuitive marketing that got him where he needed to go. He also adds that it's important for artists to know other artists who have gotten into galleries, as it not only keeps you abreast of the happenings of the moments, but it gives you people who can recommend you to galleries. Like Victoria Monsul said, get comfortable with telling people about your interests and showing them your work.
Lastly, Dworin said his most important sentence: Have passion. Without passion, the work loses something of itself, and one would have a very hard time getting anyone else to care about it. One fails a lot on the road to success, and sometimes the passion is the only thing that can keep you going.